Howard 100 News

Shuli Egar on the road in Brooklyn with wack packer "Maryanne", and "Dan The Song Parody Man".

Dan's in the drivers seat!

Dan is a comic genuis!
He created many song parodies and comedy bits for the Howard Stern show. Recently he created the show Crack Whore View for Howard Stern 100.









Did I say Dan is a comic genuis!










Shuli in front of the new Howard 100 news Van after he interviewed me for Howard 100 news
Shulis a Stand up comic, writer, producer and interviewer.

MaryAnne from brooklyn, a regular on the howard Syten show, C's the new Howard 100 News Van for the first time. Maryanne has Howard painted on one jean leg and the other 100.
Shuli with Maryanne Dans Behind the wheel.










Maryanne takes picture with fan.

Hey Now!

Check out my Howard Stern Rally Pic's
on
TCF.NET
November 18, 2004 Union Square Park
New York City, New York

MUST LOVE DOGS

Must Love Dogs is a pleasant, romantic comedy about dating again after divorce.

In Hollywood, the word is, you got to keep the lovers apart till the end of the movie. Well, the contrivances that keep them apart are all too evident. In fact, the plot is full of contrivances.

The leads (Diane Lane and John Cusack) are fun and good looking, the supporting cast is just right, the jokes and set-pieces are funny and entertaining. Except for those artificial plot elements, it's an enjoyable piece of fluff.

MY VLOG FLICK AT QFW TONIGHT

My flick -- in the form of a VLOG post (VLOG = Video web LOG) -- for this month's Quick Flick World theme, "Contradictions," will be shown tonight at the QFW party at Verlaine -- 110 Rivington St (btw Ludlow & Essex) in Manhattan. Doors open at 7:00.

My video is about 2 min long. Lots of other short films on this month's theme (Contradictions) and last month's theme (Bad Habits) will also be presented.

THE ISLAND

The Island is a good action movie that would be fun to watch on a high-def TV screen late at night -- with a spicy snack, some salty popcorn and a drink.

Scarlett Johansson and Ewan McGregor make attractive leads, the action sequences are terrific, and the look is creative and intriguing.

The basic premise -- human looking robots (actually cyborgs) with brains -- is a theme that will become ever more important as robots (actually cyborgs) become more and more intelligent and human-like. (Note: I've been writing a film with this premise myself.) Unfortunately, very little is done dramatically with this issue here.

The most dramatic note on this topic actually comes in the director's commentary on the DVD, when he claims someone is flying around the world in his private jet with a young man aboard whose role is to be available in case his heart is needed to be "donated" for a transplant.

The basic premise could be interesting, also, as a detective story, with Ewan trying to understand his life. Unfortunately, due to the realities of marketing, anyone who comes to see the film has seen the previews, and anyone who has seen the previews knows enough to destroy the suspense.

As a midnight B-movie, the simple story is very effective: Find out who I am; Escape; Find a good guy to help me; Get the bad guys.

As a major motion picture that's not enough. In particular, the basic character-driven story between the two major leads is "missing in action". With nothing dramatic in the script to act, the two leads are not able to do anything except run and shoot.

Except that at the end they finally kiss, for the first time in their "lives", giving rise to the best line in the movie, when Ewan says, "That tongue thing is amazing!"

From the commentary on the DVD, it is clear how much pride the director, Michael Bay, takes in the action sequences. It is also clear, by omission, how little attention was paid to creating a dramatically intense film.

The title of the movie is also a bit misleading to the audience I think. I, for one, expected kind of a romantic action movie taking place on a beautiful island, and I found it somewhat disappointing that the island has a rather different role in this movie. Were this a dramatic film instead of an action movie, "The Island" would have been a very elegant choice for the title.

It's kind of an opportunity missed: this could have been a great film. But it's still quite a good action flick.

KINGDOM OF HEAVEN

I expected a disturbingly cruel and brutal movie.

Kingdom of Heaven is actually a kinder, gentler version of the Crusades. (Of course, there is a lot of ketchup splashed around, but cruelty and violence is not the point.) It preaches tolerance. And it suggests that the West can overextend itself in the Middle East by waging unnecessary and unwise military operations.

DO-IT-OURSELVES READING OF WILL'S A MIDSUMMER N'S DREAM

Director Rodney Hakim has organized a public do-it-ourselves reading of William Shakespeare's A MidSummer Night's Dream at the Barnes & Noble in Carle Place on Monday, December 26, 2005.

Everyone is welcome. Just show up and you can read a part or just listen. No experience is necessary.

Monday, December 26, 2005 @ 7:30pm

Where: Barnes & Noble Bookstore
Country Glen Center, 91 Old Country Rd
Carle Place, NY 11514
(516) 741-9850
(same complex as Tower Records, across the way from Roosevelt Field Mall)

Meet at the second floor window.

For more information, check the website -- you can contact director Rodney Hakim from that site.

Sounds like a great event!

GENERATION @

In the Business Week (Dec 12, 2005) cover story on the "The MySpace Generation, " author Jessi Hempel coined (or reported) the new term "Generation @" to designate the generation that has grown up with the Internet, and for whom it is ubiquitous.

FILM FESTIVAL WEBSITE SAMPLER

Here is a sampler of film festival websites:

FILM FESTIVAL INFORMATION

• http://www.filmfestivals.com/index.shtml - A site devoted to FF info

INTERNATIONAL FILM FESTIVALS

• Cannes FFl -- http://www.festival-cannes.fr
  Cannes FF (English Language)-- http://www.festival-cannes.fr/index.php?langue=6002
• Edinburgh FF -- http://www.edfilmfest.org.uk/
• Toronto International FF -- http://www.e.bell.ca/filmfest/2005/home.asp
• The Haifa International FF -- http://www.haifaff.co.il/index_eng.asp
• Hertfordshire International Film Festival -- http://www.hiff.co.uk/
• Rakkautta & Anarkiaa - 18th Helsinki International FF -- http://www.hiff.fi/
• Sydney (Australia) FF -- http://www.sydneyfilmfestival.org/
• Bahama's International FF -- http://bahamasinternationalfilmfestival.com/
• Venice FF -- http://www.labiennale.org/en/cinema/

NATIONAL FILM FESTIVALS

• Sundance FF -- http://festival.sundance.org/2006/
• Hawaii International FF -- http://www.hiff.org/
• Vail FF -- http://www.vailfilmfestival.org/

NEW YORK FILM FESTIVALS

• The New York Film Festival -- http://www.filmlinc.com/nyff/nyff.htm
• Tribeca FF -- http://www.tribecafilmfestival.org/
• Hampton's International FF -- http://www.hamptonsfilmfest.org
• The Harlem International Film Festival -- http://www.harlemfilmfestival.com/
• Home FF -- http://www.homefilmfest.com/
• New York Film & Video Festival -- http://www.nyfilmvideo.com/
• Gotham City Short Film Festival -- http://www.gothamfestival.com/
  
  
  

We have several earlier posts on film festivals and their websites, particularly:

Features of a World-class Film Festival Website and
Covering a Film Festival

SUPERFOODS ON AOL

According to an item that ran on AOL LIVING, five of the healthiest foods are: tomatoes (preferably cooked), blueberries, broccoli, sweet potatoes (not yams), and kale.

2005-12-06 -- NEW DVD RELEASES

Fantastic 4 (PG-13) -- More superheros.

Cinderella Man (PG-13) -- Russell Crowe as heavyweight boxer Jim Braddock.

The Dukes Of Hazzard (PG-13) -- The movie version (with Jessica Simpson) of the TV series.

24: Season Four (Not Rated) -- The TV version of the TV show.

2005-11-29 -- NEW DVD RELEASES

Some interesting new releases:

Mr & Mrs Smith -- Angelina & Brad acting bad -- onscreen (and off).

March of the Penguins -- The amazing behavior of real penguins.

Murderball -- Men in wheelchairs play rugby.

For more information, VideoETA.com has very extensive information about past present and future DVD releases.

Another good DVD info site is OnVideo.

TSAKOPOULOS CONTRIBUTES TO CLASSICAL AND MODERN GREEK STUDIES AND CLASSICAL MUSIC

With a series of gifts, Kyriakos Tsakopoulos and other members of the Tsakopoulos family have made major contributions to the development of modern and classic Hellenic studies at Columbia University, Georgetown University, and Stanford University.

Kyriakos Tsakopoulos is the President and CEO of KT Communities (a land development company in California), and a member of the Board of Trustees of the California State University System.

As part of the enriched program, Columbia University inaugurated the Kyriakos Tsakopoulos Memorial Lectures, "Aristotle and the Moderns," in honor of Kyriakos Tsakopoulos' grandfather, who had the same name.

Nikiforos Diamandouros, the European Ombudsman, presented the first lecture in the series, a very interesting public lecture on the conditions necessary for a government Ombudsman to be successful. He discussed how the institution of the Ombudsman developed very recently, beginning less than a hundred years ago, only spreading rapidly in the last few decades. Then, he described the necessity for a tradition of "Rule Of Law" as being even more important than the existence of a democracy as a pre-condition for success, where this Rule Of Law means the government respects the importance and right of fair treatment of all its citizens. The Ombudsman -- who does not have any powers of enforcement -- is then in a position to bring issues to the government and have reasonable success in resolving those problems.

In response to a question, Diamandouros speculated on the reason why there is no government Ombudsman in the United States (although some individual states and some corporations have Ombudsmen). He suggested one factor might be the development over the years of litigation as the primary means of resolving disputes and conflicts in the US, before the institution of Ombudsman had developed.

In addition to his contributions to Hellenic studies, Kyriakos Tsakopoulos recently made a contribution to the Thurnauer School of Music at the JCC on the Palisades in Tenafly, NJ, a community music school just outside New York. The school is a center for training young musicians and includes studies in many instruments, voice, music theory, jazz, chamber, and orchestral music.

Part of the contribution will go to support the scholarship fund of the Gift Of Music Benefit Concert featuring Maxim Vengerov, on May 22nd, 2006.

(The Gift Of Music is an annual event, established by Joan and Alan Handler, in which world famous musicians interact with the students in an afternoon workshop, and then perform in an evening concert to benefit the scholarship fund. Joshua Bell, Claude Frank, Gil Shaham, Marian McPartland, David Finckel and Wu Han, Pamela Frank, the Juilliard Quartet, Paula Robison, and Wynton Marsalis are among the many extremely distinguished musicians who have participated.)

Classical studies have been languishing for decades and it may be hoped that these contributions will stimulate increased interest in the classics, and in their relevance to modern life, as well as developing cross-pollination and cultural bridges with other intellectual, cultural and political institutions serving the interests of the public.

SCIENCE EXPLORATIONS WITH MICHIO KAKU

Explorations, an interesting program on science, is hosted by Michio Kaku every Wednesday evening from 5-6 on WBAI (99.5 in NY).

Dr. Kaku holds a PhD in theoretical physics, is a professor at City University, and writes popular and technical books. He is very well informed about many fields of science and his program features conversations with distinguished scientific guests, as well as informative discussions of important scientific issues -- often issues that affect policy in areas of public health and safety.

DERAILED

Derailed is a B Movie (and that's intended as a mild compliment), a film noir bien spectrale (that French expression, which I just made up, means that the story is like film noir, but the visual presentation is attractive and colorful), and it's played by A list actors.

Jennifer Aniston is believable and compelling; Clive Owen not quite so much.

The film has two flaws. First, the story is not grounded in a place -- it seems to be a little bit British and a little bit American. Much of the strength of noir and B movies is their evocation of very specific and troubled places. Second, the story, while engaging and sometimes exciting, is full of holes and inconsistencies (like the arithmetic in this paragraph), and the surprises could have been plucked from a computer program of acceptable twists in a romantic mystery. Thirdly, it's a sort of romantic mystery, but there is no great romance or passion, and it never makes it to erotic thriller. (That's one of the troubles with casting an A list actress -- few are fierce enough to do the edgy erotic material a great film noir mystery deserves.)

The result is an enjoyable film, that's worth a trip to the movies or an evening with the DVD, but that won't make many ten best lists.

RECENT NEW DVD RELEASES

War of the Worlds -- Mars attacks in HG Well's story. Directed by Steven Spielberg, with Tom Cruise.

The Polar Express -- To the North Pole looking for Santa. Directed by Robert Zemeckis. Animated by motion capture with Tom Hanks playing many roles.

9 Songs -- The unrated movie about a couple's sexual relationship. Directed by Michael Winterbottom, with Kieran O'Brien and Margo Stilley.

For more information, VideoETA.com has very extensive information about past present and future DVD releases.

Another good DVD info site is OnVideo.

ETHICS & THE APPRENTICE

The competition between ethics and aggressive business tactics was raised on Episode 10 of The Apprentice.

As shown on TV (and we get to see only a fraction of what actually happened), here's the story:

Teams A & B both decided they needed megaphones.

Team A thought of it first and rounded up all(?) the megaphones in NY, all of which were at Radio Shack, and had them reserved and shipped to one store.

Team B discovered this and raced ahead of team A to the store. Team A, assuming the megaphones were being reserved for them, took a slow ride down to the store.

Team B got there first, misrepresented themselves (by omission or explicitly) as having reserved the megaphones and bought them (all of them? or only 9 of ten?).

Team B then had 9 or 10 megaphones. Team A had one or none. (Team A did not try some other tactic to replace the "stolen" megaphones by some other means, at some other store, or with some other technology -- eg a microphone and a speaker.)

Team B then won the task (having people call to reserve a free sample of perfume) by 5 calls out of about a thousand.

Team A then complained that team B stole their megaphones. Trump and Rancic praised team B's aggressive competitive behavior.

The lack of information the audience gets leaves open many questions, raised by the explicit endorsement of aggressive tactics. For example: What did the Radio Shack employees know? (There was a cameraman there. Something was out of the ordinary.) Was there any manipulation of the results? (Easy enough to have people make a few extra calls on someone's behalf to change which team wins. For that matter, who even verifies the results they announce?) Why did team A travel so slowly to the Radio Shack to pick up the megaphones, and why did all three members of the team have to travel together?

The ethical questions, of course, are: Did team B commit fraud, and if they did is that OK to win the task? If it was was not fraud, did team B play fair, and should they play fair? Did the producers of the show help (explicitly, secretly, or in some subtle way) team B win, and if so is that fair (to the contestants and to the audience)?

There have been a number of comments on BLOGs and personal websites. Here's a small sample:


FROM A COMMENT ON THE APPRENTICE BLOG:
"You're saying thet Randal's tactics would have gotten him fired in the real world? Oh Please!!!!!"

FROM AN OPEN LETTER ON 9 TO 5:
"The business ethics endorsed by Donald Trump and Bill Rancic on tonight's episode of The Apprentice are reprehensible. "

FROM REALITY TELEVISION:
"...impressive last night was the lesson that you can foil a competiors plan and you should do it if you get the chance.

When Rebecca and Randall chose to go to Radio Shack to get the other teams megaphones I knew that Trump would mention how cunning it was when they got into the board room."

CHARLIE AND THE CHOCOLATE FACTORY

Charlie and the Chocolate Factory is a sweet movie in a bittersweet wrapper.

(This is not the first film made from the classic children's tale by Roald Dahl. There was a movie in 1971 called Willy Wonka & The Chocolate Factory, with Gene Wilder as Willy Wonka.)

The look of the film (created by Tim Burton), and the strange character created by Johnny Depp, seem to be promising depravity and evil, but they are just dressing up a sweet confection with enough sour notes (sorry about the mixed metaphor here) to prevent sugar-shock.

The plot is simple; the presentation is elaborate; the payoff is fun. The film is good.

THE SISTERHOOD OF THE TRAVELLING PANTS

Four girls in high school.

They buy a pair of "magical jeans" that fits each of their very different bodies, and it is shipped around from girl to girl during their summer apart. It ties the girls and their stories together, and it creates The Sisterhood of the Travelling Pants.

Five stories: One for each girl; one for their friendship.

The stories are not particularly original, nor are they particularly interesting for any other reason, unless you are interested in the problems of teen-aged girls.

The Puerto Rican girl's father left her mother for an Anglo-Saxon blond; the long-haired, athletic, blond's mother died and the father is remote; the stay-at-home's father is nowhere to be seen; and the shy girl on vacation in sensual Greece's grandfather hates her boyfriend's grandfather. Is there a pattern here?

The five stories are well-acted, attractively photographed and told in a consistent, coherent, plausible way, with characters that seem like real people.

If you are interested in the stories (love affairs, problems with parents, problems with illness, problems with friends, friendship with friends), then you may very likely like this film. If not, then it is just not for you.

The special features on the DVD are good, although there is no full commentary with the director. There is an interview with Ann Brashares, the author of the book and its sequels. She seems like a sympathetic person. The cast members are shown talking over selected scenes. I liked seeing the people who are giving the commentary; it's a better idea than just having the usual, pure voice-over. It gives a nice feeling for who the actors are and how they reacted to the filming of the movie.

ENTERTAINING SCIENCE WITH NEON LIGHTS

The Cornelia Street Cafe has a remarkable program of concerts, lectures, readings, story-telling, plays and other things.

On Sunday, Dec 4, 2005, at 6:00, there will be a program called ENTERTAINING SCIENCE, hosted by Nobel Prize winning chemist Roald Hoffmann, The topic on Sunday (12/4) is: NEON.

ENTERTAINING SCIENCE is hosted by Hoffmann at the Cafe regularly, once each month. When I attended the last program, IMPROVISING ON CHAOS, I enjoyed the interesting talk, some of the poetry, and all of the music. There is a $10 cover, and a one drink minimum. Reservations are probably necessary. (Last time they turned people away.) The room is long, so it's also best to come early and sit at one of the tables up close. (In fact, last time there was a demonstration that was presented so close to the ground it was very hard to see from the back.) You can even order food. I didn't try any but it looked very good.

Here's the program for the 4th:

"NEON! Something about intense, clear, colored light delights the eye and mind. Light artists Kenny Greenberg and Clare Brew, teaming up with dancer and choreographer Rachel Cohen, will create synaesthestic light fantasies for us. Roald Hoffmann will lapse into his professorial mode, and do a show-and-tell on emission, absorption, and line spectra, while Oliver Sacks recounts the remarkable history of the noble gases."

SCIENCE & THE ARTS AT CUNY

There is a program in Science & The Arts , directed by Brian Schwartz and Adrienne Klein, at The Graduate Center of CUNY, the City University of New York.

This Monday (11/28 -- 6 PM at the Graduate Center of CUNY, 365 Fifth Ave, at 34th Street -- Free), they are presenting a program called Perpetual Motion: Revolutions in 17th Century Science and Music. Dava Sobel, author of Galileo's Daughter, "Will weave stories of science history with the music of the period."

Two years ago, when the SciArt program presented a course called Staging Science (a study of plays with scientific themes or characters), they prepared a very interesting list of plays in which science is featured.

WORLD-CLASS FILM FESTIVAL WEBSITE FEATURES

Oddly enough, film festival websites sometimes make it difficult to determine the simplest things. It is all too often difficult to figure out even the name of the festival, the dates of the next festival, or how and when to submit films.

I just looked at a whole bunch of FF websites. Very few leverage the excitement of the films and movie stars they are hosting to create an entertaining and attractive website.

I decided to note some of the most important features of a FF website. It would not be "Quick" (as in the Q in QPORIT) to completely analyze the requirements for FF websites. As will be immediately apparent from sketching out the basic requirements, a detailed design would be a seriously long document.

So... the plan is to outline the specifications and just highlight some of the features that are most necessary, and those that are most often missing.

In an earlier post, I noted some features of a successful film festival. Like the film festival itself, a film festival website has many important purposes. First, it must serve the people who come to see films. Next it must serve the people who are supplying films. It has informational, promotional, and commercial functions.

Here are some of the things I think need to be part of a website for a film festival (FF).

As in the FF itself, there are several groups that all need to be served:

• The public audience
• The sponsors
• The film makers
• The press
• The film business

Additionally, there are several phases to a festival site.

• Film submissions
• Pre-festival preparation -- selling tickets; arranging press & publicity.
• Festival time (during which things are constantly evolving)
• Wrap-up
• After the festival

Note that this means the site must be dynamic. In fact, especially during festival time, the website should be extremely dynamic, reflecting the activities of the festival -- parties, premieres, celebrities, news coverage, schedule changes, introductory events, and final awards -- all of which could and should be covered by the website.

Moreover, there are two parts to the site, a public site, and a protected site for the film business, including film makers and the press.

And finally there are several aspects to a web site

• Provide information
• Promote the festival
• Make money

I believe that a film festival site should not only be useful, it should be attractive and interesting, and therefore a web destination on its own.

The first and most important feature of the web site before and during the festival must be a clear description of the films and special events; a timetable; and a method for buying tickets.

The films should be briefly described (with something better than the cryptic "haiku" that all to often passes for a description of the film).

There should be a link from each brief description to a web page/site for the film or event. This web site should contain a lot of information, including complete cast and credits, and also any related special events, such as a panel discussion about the film that is part of the FF. It should also contain a link to "private" information for the film business and press, concerning contact information, what rights are being offered or sought, people available for interviews, and similar items.

One place where many film festival websites could be vastly improved, I think, is that the website should be constantly updated before and during the festival with the latest news and information. There should be a BLOG on which the latest news is published, such as changes in screening times, the availability of cast and director for Q&A after a film and similar up-to-the-minute news. There should be constantly updated pictures and videos, both for the public and for press use. (Similarly, the private site should contain a BLOG with last minute information about press and business information.) Moreover, the film descriptions, and the festival news should be "entertaining", containing, for example, VLOGed interviews, a live video feed, and film previews in streaming video, to give the website a life of its own.

On the technical side, it would be very helpful if the structure is sufficiently well designed long enough in advance that much of the content can be dropped into a pre-formatted template. However, the entire site should not be templated, to allow for flexibility and interesting variation in design.

The e-commerce features of the site should allow for convenient ticket sales, and for the sale of T-shirts and other souvenir items. Ideally, the private site should have the facility to match up buyers and sellers, and match press with interview subjects, parties, and other story resources.

A FF site has many objectives. Yet this abundance of riches should not be an irritant to any user, who has only one objective: his (or her) own! The key to a good site is to make the navigation very easy, fast, and obvious -- to any information or service a user may wish. This requires both a simple logical design, and an easy-to-use visual design.

Here is a basic list of FF website features:

• Festival name
• A brief description of the festival
• Calendar
• Contact info
• Rules (and forms) for submitting films
• Info on how to get a job, or volunteer for the festival
• History of the festival
• Information about sponsoring
• Housing, food and transportation information
• Maps and venue information
• News; press releases
• List of films
• Description of films with links to film websites
• Schedule of films and other public events
• Schedule of private screenings and other private events
• Business information about film rights for sale
• Press information
• BLOGs
• Ticket purchases
• Reservations for press / sponsors
• Souvenir purchases
• Information about sponsors
• Information about the community where the FF is being held
• Pictures
• Live video feed from the festival
• Entertaining (with images, audio and video) and informative sections based on previous festivals

Without naming names, a quick look at some festival websites (see our post for a sampler of FF sites) showed examples of the following errors in one or another of the various sites. :

• The name of the festival is ambiguous -- one name in one place; a slightly different name someplace else
• The home page is ugly; in fact it is also almost unreadable -- the background image obscures the text.
• The press section does not contain any information for unaccredited members of the press. (Is everything secret?)
• The date of the next festival is missing. Or there is a date with day and month but no year. (Is that the last festival or the next one?)
• Too slow for dial-up users; or not providing enough quality material for high-bandwidth users.
• The website design and navigation is weird.
• American festivals with a large international presence which do not have any foreign language versions of the site.
• A lack of up-to-date information (a web site which still has the last festival info up after the next festival has already begun).

Since film festival websites are blessed with the availability of an incredible bounty of great material, a passionate consumer audience, and a dedicated business audience, FF websites can and should be among the most exciting, entertaining, and useful destinations on the web.

A QUICK GUIDE TO THE HARRY POTTER SERIES

For the benefit of those who are not experts in the Harry Potter series, here is a list of the Harry Potter books and films.


1- Harry Potter and the Sorcerer's Stone
>Film directed by Chris Columbus (2001).

2- Harry Potter and the Chamber of Secrets
>Film directed by Chris Columbus (2002).

3- Harry Potter and the Prisoner of Azkaban
>Film directed by Alfonso Cuarón (2004).

4- Harry Potter and the Goblet of Fire
>Film directed by Mike Newell (2005).

5- Harry Potter and the Order of the Phoenix.
> Film in pre-production

6- Harry Potter and the Half-Blood Prince.

The author of the books is J.K. Rowling, and Mary GrandPré is the illustrator.

There has been noticible inflation. The first book, published in September 1998, was 309 pages and weighed in at 1.6 pounds. The most recent book, published in July 2005, was more than double the size at 652 pages, and weighed 50% more than the first, at 2.4 pounds. (A little wizardly algebra suggests the cover accounts for almost a pound of the weight in both books.)

#5, Harry Potter and the Order of the Phoenix, is currently in pre-production. The main cast is still intact. Daniel Radcliffe continues to play Harry Potter, Emma Watson remains as Hermione Granger, and Rupert Grint is still Ron Weasley. David Yates, a newcomer, whose recent work has been mostly in TV, will be directing.

Up to now, both students and teachers have stayed in the same roles (with the notable, unfortunate, exception of Richard Harris, who brought exceptional gravitas to the role of Proessor Dumbledore, but sadly died in 2002 after the second film). It would be quite extraordinary if the series can continue to follow these actors as they grow from children to adults, along with their characters.

MAD HOT BALLROOM

I think I was supposed to like Mad Hot Ballroom: Kids! Dancing in public schools!

But I really didn't like it too much.

The film follows a year in which public school students in the boroughs of New York are given ballroom dancing lessons, culminating in a series of elimination competitions. Teams of dancers from each school compete for a trophy awarded to the school.

I suppose it is a good thing to teach anything in a public school. It is a good thing to teach something above and beyond the curriculum. It is a good thing when a good teacher or an exciting project inspires students.

However, first of all, the movie does not provide enough information about the program for a viewer to form a serious opinion. Is the program really good or not? Are the teachers qualified? Are they nice to the student dancers? Is the team competition bad for good dancers who go to schools with bad programs? Is it fair? Should public school ballroom dancing be a competitive team sport?

What do the students really think? The interviews they show are in some ways artificial. They seem to have been so carefully selected and screened that it's not possible to draw any inference from them about the effect of the program on the kids.

I have kind of an uncomfortable feeling that some of what the film shows and says about some kids is not really good to have imprinted in the permanent record.

The movie is also confusing as to which class is doing what and who is their teacher? and which students are doing well or badly? and how are they progressing? The movie follows too many students and teachers, yet does not provide a comprehensive look at the whole competition.

However, of course, on the other hand, if you just suspend all critical judgement, and simply watch some cute kids getting better and better at ballroom dancing, in a cultural program in the city's schools, then the film is fun to watch.

AFTER CARNEGIE, MOLYVOS

Once upon a time, after a concert at Carnegie Hall, you would turn right and walk a few steps to the Russian Tea Room.

Now, to find the best bet for a terrific snack (or meal) after a concert, make two lefts, walk about a block South on Seventh avenue, and stop at Molyvos.

They make the best stuffed grape leaves I've ever had. Their bar menu, as well as the appetizers on the main menu are all very special. They have a gazillion kinds of Ouzo. And I like just about all the desserts, though not everyone likes their version of baklava (not flaky), and Greek coffee is a matter of taste.

Almost everything is a surprising treat. It's a tough choice between taking old favorites each time I visit, or trying something new.

For a double header (if you don't mind being a little rude to the person/people you are with), while you are waiting for the order to come, pop across the street and get a takeout order of corned beef from the Carnegie Deli to take home for tomorrow's lunch. (For that matter, you can order take-out from Molyvos, too).

CONTRADICTION AT QUICK FLICK WORLD

The theme for the next set of short (4 min or less) films for Quick Flick World is CONTRADICTION. The "technical parameter" (whatever that means, but it's optional, I think) is "Crossing the Axis."

Each month Quick Flick World proposes a theme for films to be made by filmmakers from (currently seven) cities around the world. Then the (mostly local) films from that month are shown at a party, along with the best films from all over the world that were created for the theme of the previous month. Some films are posted online.

Check the Quick Flick World website for contact information and more details. It's very easy to participate.

It's networking, partying and a filmmaking challenge.

NEW DVD RELEASES

Using VideoETA.com, we can now show the DVD's currently scheduled for release.



TOP DVD RELEASES
COURTESY OF VIDEOETA.COM

VideoETA.com has very extensive information about past present and future DVD releases.

BATMAN BEGINS

Batman Begins is a very good film. But not a great film. Interesting. Not exciting, but lots of explosions. Fun for the whole family. Christian Bale is fine as Batman. Katie Holmes is fine as the girl he lusts after chastely.

There's a curious morality in films about who you are allowed to kill (and when) and still be the most moral person on earth. (I think there's a PhD thesis in that for somebody.) Generally speaking, you can kill people with a name only at the end of the movie (and only in certain ways under certain conditions) after they have been really bad. Even if they are very bad, you can not kill them at the beginning. People-without-a-name-who-are-assumed-to-be-employed-by-the-bad-guy can be killed at any time.

Bale appeared in Spielberg's Empire of the Sun when he was 13. He was in American Psycho and Little Women. His second time in a film about Pocahontas, he will be John Rolfe in Terrence Malick's version of the story, The New World. (John Rolfe married Pocahontas and also founded the tobacco industry.) Bale will reprise the role of Batman in the sequel to Batman Begins.

Holmes appeared on the cover of every entertainment magazine on Earth, since hooking up with Tom Cruise.

The supporting cast is very fine (the good guys and the villains both), especially Michael Caine -- as the man-friday who cares for Bruce Wayne as a boy and then as a man; Liam Neeson; Rutger Hauer; and, in the guy-who-knows-everything role, Morgan Freeman.

SPECIAL EVENT(S) AT THE PUBLIC

As part of the continuing celebration of its 50th anniversary, the Public Theater is holding a panel discussion, "Reliving Incendiary Moments in Public Theater History," on Wednesday, November 9, 2005 from 7:00- 8:30 PM with a reception to follow. It is FREE. But reservations are required: 212-260-2400.

The panelists are

• Moderator Ken Auletta (noted author and New Yorker columnist);
• David Rabe (author of Tony Award winning Sticks and Bones -- as well as the recently revived Hurly Burly);
• John Guare (author of Tony Award winning Six Degrees of Separation and House of Blue Leaves);
• Larry Kramer (author of The Normal Heart, the longest running play in Public Theater history);
• and JoAnne Akalaitis (founder of Mabou Mines, former Producer of The Public Theater).

The Public Theater has been one of New York's most important cultural institutions almost from the moment of its founding. The current season of plays is very interesting. The special events presented as part of its 50th anniversary celebration have been quite spectacular.

One event that I attended was a staged reading of Christopher Durang's The Marriage of Bette and Boo. It was remarkable -- interesting, funny, and sad -- with a wonderful cast that included Christopher Durang himself, Joan Allen in a great performance as Bette, and eKatherine Kerr (who was terrific recently in a staged reading of a different Durang play, Laughing Wild), doing another brilliant performance.

ENTERTAINING SCIENCE AT THE CORNELIA STREET CAFE

The Cornelia Street Cafe has a remarkable program of concerts, lectures, readings, story-telling, plays and other things.

On Sunday, Dec 4, 2005, at 6:00 there will be a program called ENTERTAINING SCIENCE, hosted by Nobel Prize winning chemist Roald Hoffmann. The topic will be:

"NEON! Something about intense, clear, colored light delights the eye and mind. Light artists Kenny Greenberg and Clare Brew, teaming up with dancer and choreographer Rachel Cohen, will create synaesthestic light fantasies for us. Roald Hoffmann will lapse into his professorial mode, and do a show-and-tell on emission, absorption, and line spectra, while Oliver Sacks recounts the remarkable history of the noble gases."

ENTERTAINING SCIENCE is hosted by Hoffmann at the Cafe regularly, once each month. The last program was called IMPROVISING ON CHAOS. I liked the talk, the music, and some of the poetry. Cover is $10. There is a one drink minimum. Reservations are probably necessary. The room is long and narrow, so it's best to come early and sit close. (One demonstration was presented so low it was real had to see from the back.)You can even order food. I didn't try any, but it looked very good.

IS MARS MOVING BACKWARDS?

The motion of Mars as seen from Earth (as each, of course, moves smoothly in its orbit around the sun), can change its apparent direction in the sky. Here is an animation of the position of Mars in the sky, created by Larry Koehn, a graphic artist and amateur astronomer who has many interesting astronomical illustrations on his website (www.shadowandsubstance.com).

COVERING A FILM FESTIVAL

With some great -- and some less-than-perfect -- experiences at film festivals, and other conferences, gatherings, and meetings, I've developed a notion for some of the things I'd like to have available when I attend.

A film festival is intended to serve several interests:

• The local audience (wants to enjoy interesting movies and panels).
• The film makers (want deals, publicity and contacts).
• The film businessmen (want film pickups and other deals, publicity, and contacts).
• The local businesses (want customers and good publicity),
• The press (wants good stories).

The following suggestions should help optimize the experience for all these groups.

For watching movies, some of the most important factors are:

• Giving people fair access to the movies, with some help for special groups, but not excluding the general public from being able to see the films that are most in demand.
• Making it easy to buy tickets.
• Providing reasonable information about new films to allow ticket buyers to make a considered decision about which films to see.
• Making the film ticket buying experience easy -- both with a good ticket-buying program online, and a convenient ticket office with enough help to avoid long lines.
• At the movie theater, not keeping people waiting too long, especially in the rain, and allowing reasonably fair access to good seats, as well as convenient sales of last-minute tickets.
• It goes almost without saying (except too often it needs to be said) that the projection should be bright, in focus, and without problems, and the sound should be in sync, loud enough, and clear.

For communication:

• There should be good directions for people who drive.
• There should be easy parking at each site; the parking rules should allow you to watch all the movies you want (a one hour parking zone is not helpful; and a two hour zone is not much better).
• When possible, there should be enough time between the end of screenings at one place and the start of screenings someplace else to allow people to get from one place to the other before the next movie starts. In fact, even in the same theater there should be enough time between films to allow for emptying the theater and starting again without falling behind in the schedule.
• If possible, sites should be within walking distance (of each other, the parking areas, and the hotels where people stay). If not, perhaps because the festival is deliberately designed to promote a number of related areas, then there should be lots of frequent public transportation from very early to very late to all venues. (Early and late are especially important for meeting with filmmakers before and after the films and parties.)

For facilitating networking:

• Everyone should always wear badges.
• The badges should have a large first name, a small last name, and the reason the person is there, all in type large enough to read from a few feet away. This information should be on both sides, because one-sided badges always seem to be upside down. The badge should be on a lanyard around the neck, hanging about heart high for easy reading. (Also, by the way, badges that hold your tickets and a schedule inside are very convenient.)
• Film makers should be encouraged to attend all the major parties, and any targeted parties. In particular free access to the major parties should be part of the package -- free of any extra cost to all producers, directors, actors, and other participants coming with the film.
• When there are targeted parties with particular sponsors, or honored guests, the sponsors and honored guests should come early, stay late, and be easy to find at the party.
• Any one with a project should have an ample supply of business cards.

For getting the best press coverage:

• PR firms and producers should send out the first information about their movies, their parties, and people available for interviews, well in advance of the time when schedules have to be finalized.
• There should be a contact list for everyone at the Festival (or nearby) that is (or could be convinced to be) ready or willing or able to meet the press for an interview, conversation or picture. Especially, the less famous people!
• The movie web site (with a good press section) should be up and running when the festival announces the line-up.
• There should be an informative press kit available before and after, but especially at the screening, as well as at any targeted party for the film.
• There should be a CD-ROM available with lots of still shots in JPEG format available, to enable stories to run with the best pictures.

For creature comforts:

• Good food, quick food, not overpriced food, and all types of food, should be conveniently available at every venue.
• Clean bathrooms should be conveniently available at every venue.

I'm sure there are many other things that you would like to see at film festivals you attend, and I'm inviting you to please contribute your comments.

BIFF -- THE BAHAMAS INTERNATIONAL FILM FESTIVAL

The Bahama's International Film Festival, in and around Nassau, the Bahamas, is scheduled for December 8-11. It looks like a very heavy, significant festival.

There are films from the Caribbean, Africa, the US, and other places around the world. Altogether, there are more than forty features, and many shorts. Some of the film descriptions sound quite harrowing.

There are many highlights:

Spike Lee will be honored.

There will be several special screenings, including Matador, with Pierce Brosnan, on Closing Night; Manderlay (the successor to Dogville), about slavery, by Lars Von Tier; and on Opening Night, Broken Flowers, with Bill Murray.

And there will be several panels on film making, including one on "Producing In The Caribbean."

All in all, it sounds like a very substantial festival that should contribute to the development of film making in the Caribbean.

AOL -- SERIOUS EMAIL PROBLEMS

For at least a week, AOL has not been forwarding all mail from external senders to all accounts at AOL.

According to AOL, some mail arrives, some is delayed, and some will arrive eventually.

In my case, last night I tested AOL and tried to send mail from HOTMAIL and another site to AOL. It did not arrive. I did receive some delayed mail today, Thursday (some delayed from Tuesday). I do not know if all mail that has been sent to me recently has arrived.

According to AOL, all mail will eventually arrive, after the problem is fixed.

They do not have a date for when the problem will be fixed.

Here is an excerpt from the transcript of an online help chat session. The grammatical errors by the AOL Tech are exactly as in the original transmission.

11:23:16 PMAOLTechRSI -- There is a system problem which affects the email server and the email that are being sent to you will arrive once this was fixed.
11:23:46 PMYou -- When did the problem start?
11:24:00 PMAOLTechRSI -- It started a week ago.
11:24:54 PMYou -- Is outgoing mail affected? Can I be sure that all mail that I sent arrived, or is that delayed also?
11:25:12 PMAOLTechRSI -- Outgoing mail are not affected.
11:26:21 PMYou -- I have gotten some mail during the last week. Does the problem depend on where the mail is coming from?
11:27:31 PMAOLTechRSI -- It does not matter where the mail comes from. Because the email server is having a problem, you might arricve as soon as it was sent and sometimes delayed.
11:28:32 PMYou -- Is there any estimate for when the problem will be solved and the missing mail will arrive?
11:29:01 PMAOLTechRSI -- We do not have an estimated time on when it will be available. We appreciate your support and patience in this matter.

HOW TO PREPARE AND PRESENT AN ADVANCED SCIENTIFIC PAPER

I recently attended a symposium about advances in astrophysics. What people wanted to say in their talks was very interesting. For the most part, how they said it was terrible.

Here are some simple pointers on preparing and presenting a talk on a highly technical subject in which you, the speaker, yourself may have made important contributions.

1 - Assume that your audience will consist of people whose background in the subject will range from knowing more than you do (and can find the errors in your talk), to people who understand almost nothing about your topic, going in.

2 - Your objective is to communicate valuable information to each person in the audience.

3 - Your plan should be to start your talk by explaining the background for your work in words that anyone can understand, and explain the main point of your work in words that anyone can understand.

4 - The middle of your talk should be a clear exposition of the methods you and other people have used to get the new results. It can be directed at experts, but should be completely understandable to, say, a graduate student working in that problem.

5 - There will never be time in your talk to explain the detailed derivation of the most complex results. Explain principles, not details. Do not show slides of calculations, where it is impossible to read the slide or glean any meaning from it in the time it is visible. (That does not help explain the details.)

6 - Use self-explanitory pictures to illustrate and accompany parts of your talk if that is appropriate. If a picture is not self-explanatory, explain it.

7 - Graphs and table should be used when they contribute information. Use only graphs and tables that are simple enough to be understood quickly by the audience. Explain what they mean, what the units are, what the results mean. Explain what is being shown. Leave it on the screen long enough for the audience to read it, think about it, and understand it.

8 - The end of the talk should explain, again, in words that everyone in the audience can understand, what the new result is, how it changes the situation that existed before, and the critical insight or contriribution that led to the new result.

9 - Humor is always good. Be friendly. Be clear. Be loud enough to be heard. Talk to the audience. Do not talk down to the audience. Do not try to use jargon and acronyms, or leave out steps because you think it is insulting to the experts to be clear. Clear is good -- even for experts.

10 - Before the talk is presented, practice it. If you are not a native speaker of the language of the talk, practice the talk with coaching from someone who is a native speaker. If there are any complicated things you do -- like switching from one program to another during the talk -- practice that, and set it up on the computer to be as simple as possible.

11 - Arrive early at the place where you are giving the talk. Check any audio/visual equipment you will be using -- make sure your computer connects to the screen, and that it can be connected quickly.

12 - Have a backup plan for anything that you need. Your briefcase, with your speech and your slides, can get lost or get stolen. Computers can get lost or break; audio visual equipment can malfunction. Have a second copy where possible. Be prepared to go ahead without anything but yourself.

13 - Be ready to have fun, to answer questions, and to interact with the audience after your talk.

THE INTERPRETER

The Interpreter is quite a fine, moving, interesting, complex film. It tells a good story, has well-acted characters that you care about and relates to the real world.

Sean Penn and Nicole Kidman, great actors, both do excellent work creating damaged people finding a tentative relationship.

Nevertheless, it is not hard to see why it was not a big, financial success. (But the reasons say less about the film than the audience.) The film does not have non-stop action, a simple love story, elaborate special effects, or a simply told stock plot: Bad guy does bad thing to good guy; good guy gets revenge. Moreover, it was marketed as a "political thriller," (because it is about a political situation which puts many people in great danger), but it is not thrilling from end to end, nor overtly political in the sense of advocating some particular political agenda.

The story telling is confusing, mirroring the confusion of the characters investigating a possible plot on a horrific dictator. There is some preachy dialog in some not quite believable scenes -- but it turns out that it was the character who did not really believe what she was saying.

This is a messy story, about people with problems, in a confusing situation, where people are in danger, where the police are trying, but make terrible mistakes. It's not an easy genre movie, but that is its strength, not a criticism.

This is a film well worth watching on DVD (preferably on a big, high quality TV), possibly even a second time, with the commentary on.

HIFF -- NOT JUST THE HAMPTONS

A quick trip to Google reveals that the Hampton's International Film Festival is not unique in the acronym HIFF. Here's some more:

Hawaii International Film Festival

The Haifa International Film Festival

Hertfordshire International Film Festival

Rakkautta & Anarkiaa - 18th Helsinki International Film Festival

The Harlem International Film Festival,

HIFF WRAPUP + SOME PICTURES

All in all, the The Hampton's International Film Festival (HIFF) was quite successful. The weather was quite good almost all the time (except Saturday). There were large crowds. The movies were diverse and interesting. Many film makers and actors came to the parties, screenings, and other events, making for lots of networking.


Johanna Watts, leading actress from IN MEMORIAM,
in front of the main festival theater on a rainy Saturday.

Because of the huge number of films, many shown at the same time, it was possible only to sample the offerings. Of those I saw, my favorite film was The Warrior Class, which is previewed below. My least favorite was The Bee Season, which is also previewed below.

I saw a number of other interesting films:

Kardia is about a woman investigating the heart operation she got as a child. It was honored by the Alfred P. Sloan Foundation, receiving the award for a feature length film that explores themes of science and technology. The Sloan Foundation also sponsored a panel discussion of the film, moderated by Bob Balaban.


Bob Balaban and Su Rynard, the writer-director of KARDIA,
at a discussion sponsored by the Alfred P. Sloan Foundation


Ballets Russes is a collection of archival films -- including choreography by Fokine and Massine -- of two dance companies that brought new ballets to America, together with the tale of the rise and fall of those companies as told by the principal dancers. The film tells a good story. My only regret (or hope) is that they gathered many more films of dances than were used in the film. It would be very interesting to have access to much more of that footage, perhaps even with more commentary on the dances themselves, rather than on the competition between the two companies. On the DVD or the web, perhaps? I was struck by how much more I liked these old dances than the ballets I have seen recently. An offhand remark in the film suggests that it may be the influence of Balanchine that turned ballet in a direction that I find much less interesting.



LEFT -- Josh Hyde, prize-winning student film maker of CHICLE (L) RIGHT -- Director Kimberly M Wetherell (l.) with actress Mindy Raymond (r.) from MENAGE A TROIS (R)
Among the people at the festival were Erica Meerhsen, who gives an impressive performance in The Warrior Class, Johanna Watts, a seriously attractive (that is, very pretty and friendly) actress who stars in In Memoriam, and several student film makers, all prize winners, whose films were very impressive not just for the results, but also for the amazing effort that went into making them. Many of the people involved in short films were also there, including the producer, director, and a cute actress, Mindy Raymond, from Menage a Trois, a film with a cute premise shown in the program of women's short films. Liza Minelli, Alec Baldwin, Kyra Sedgwick, and Kevin Bacon were among the more famous actors in attendance. Asked by a member of the audience whether he finds acting in independent films to be different from working in commercial films, Kevin replied simply, "Yes. In the commercial films I get paid."

HUMAN TRAFFICKING ON LIFETIME

The miniseries Human Trafficking on Lifetime was just a little disappointing.

The acting, by Mira Sorvino was fine, and Donald Sutherland played a serviceable, though familiar, version of his (not so) gruff cop whose heart is really in the right place. Several of the actresses playing victims were made to look so similar I was never completely sure which was which. The most interesting acting is by young Sarah-Jeanne Labrosse, who plays a 12 year old American girl kidnapped in the Philippines. However, she plays the least believable character, a saintly child who ministers to all the other enslaved children.

The writing was just uninspired, and the film kept pulling its punches. This is a story about sexual slavery, but we could learn as much from any cop show and a one sentence description of the problem:

Children are kidnapped and sold; pretty girls are kidnapped and sold; or duped into essentially kidnapping themselves and then sold; the people who run the brothels are vicious.

The one sentence description of the solution is more dubious:

A dedicated employee (Mira) will push her bureaucratic, do-nothing, but ultimately humanitarian boss (Sutherland) to allow her to make the life-threatening, nearly super-human effort (including going undercover) necessary to break up this huge, multinational, sexual slavery enterprise, more or less all by herself.

None of the important confrontations in the story are really allowed to be fully dramatized. Sexual situations are suggested, but not shown. Dramatic situations are set up, but then the scene stops, and the drama is not allowed to play out. The only real emotional moment, significantly, comes when Mira Sorvino argues with her boyfriend about whether the picture of the bad-guy really looks really evil.

Of course, this is Lifetime TV, and for some the merest suggestion of the horrors of sexual slavery is barely watchable. For others, it's just right: in fact, there are reports this was the highest watched movie this year on ad-supported basic cable. Judging by the comments on the Lifetime site, this program does make people, who would not otherwise know about it, aware of a serious problem that does exist, and has been the subject of a number of stories in the New York Times, although the exact number of victims in the US is in some doubt.

I can imagine a Lifetime Miniseries about a producer of Miniseries on Lifetime who writes and produces Miniseries about very serious problems, to which he/she has a deep emotional response, but to "protect" his/her audience he/she just keeps suppressing his/her real feelings and serves up a bland, safe version. (Note: It is not dramatically correct, or powerful, to do that, even if it may well be politically and commercially correct.)