In honor of the Royal Wedding (which I really don't care about), today's Pop Blitz only features music from the UK (which I really care about!)
The Feeling - Set My World On Fire
The formerly popular soft-rockers return with an uplifting, breezy single that has an undeniable chorus. This could easily be irritating, but I'm really loving it. It's got such a buoyant sound. A-
Nero - Guilt
A dark, sleazy beat supports airy vocals. It's an interesting contrast and sets this club track apart from all of the other hundreds out there. Not a classic, but very enjoyable. B+
Wretch 32 - Unorthodox
This features Example, which can only be a good thing, but still fails to make much of an impact (even with a hooky Stone Roses sample). At least it's not offensive to the ears like many similar tracks are. B-
Clare Maguire - The Shield And The Sword
Maguire's singles just keep getting better (and there are plenty more ready on her album). This is slightly more uptempo than her releases thus far, with a powerful, grandiose melody. A
Olly Murs - Busy
Well, if you've heard his other singles (or any of Jason Mraz's), you've heard this. I really have a bit of a thing against this "back porch" throwaway rock. It's supposed to be "chill" and everything, but it just fizzles into nothing. C
Jessie J - Nobody's Perfect
I've yet to understand any of the hype surrounding this artist. Her first single was alright, the second was horrible, and this one goes nowhere. I still don't get why people like this. C-
Birdy - Skinny Love
Now this seems a little more special, especially taking in the artist's age (she's only 14). The song's a cover, but the voice is the true standout here. With only a piano for support, it's really pretty stunning. A-
I've had my say, now it's time for yours! What's your favorite song of this week's blitz?
Showing posts with label Jessie J. Show all posts
Showing posts with label Jessie J. Show all posts
Friday, April 29, 2011
Thursday, March 17, 2011
Pop Blitz 3/17/11
George Michael - True Faith
Michael comes back with a midtempo track (a cover of the New Order hit) that overuses vocoder effects. He's got one of the best pop voices of all time, so what's with the electronics? And why can't we get something more uptempo (or at least with a better melody)? C-
Glee Cast - Loser Like Me
Glee remains as frustrating as it is entertaining. There's more potential than this radio-friendly track displays, but it's not bad, either. Next time, they need to opt for a more unique sound that capitalizes on their use of choral harmonies. B
Selena Gomez - Who Says
It's a brief (hopefully) pit stop to "uplifting" Taylor Swift-esque material for the Disney star. It's actually not as bad as I feared. The production's catchy enough, but I wish it was in another language so that I couldn't understand the lame lyrics. C+
The Wanted - Gold Forever
They're really building up a strong set of singles. This is the exact direction I was hoping they'd follow -- more electronic, more dramatic and uptempo. It's a promising sign for their second album, whenever they decide to release it. A
Martin Solveig & Dragonette - Hello
If this is what it takes to give Dragonette a world-wide audience, I'm totally okay with it. It's not the band's best track (and yeah, I know it's Solveig's song, but it sounds enough like Dragonette to be classified as such), but even their average material is heads above most everything else. A-
Jessie J - Price Tag
Honestly, isn't the chorus to this exactly the same as Pink's "F**king Perfect" (another song that completely underwhelmed me)? I just don't get the hype over this. It's dull, predictable and forgettable. What am I missing? C+
Black Eyed Peas - Just Can't Get Enough
How can one band be responsible for both some of the worst songs and best songs on the past few years? This isn't close to their low point (that would be previous single, the vomitatious "The Time (Dirty Bit)") but it's no "I Gotta Feeling," either. It's simply alright. B-
Michael comes back with a midtempo track (a cover of the New Order hit) that overuses vocoder effects. He's got one of the best pop voices of all time, so what's with the electronics? And why can't we get something more uptempo (or at least with a better melody)? C-
Glee Cast - Loser Like Me
Glee remains as frustrating as it is entertaining. There's more potential than this radio-friendly track displays, but it's not bad, either. Next time, they need to opt for a more unique sound that capitalizes on their use of choral harmonies. B
Selena Gomez - Who Says
It's a brief (hopefully) pit stop to "uplifting" Taylor Swift-esque material for the Disney star. It's actually not as bad as I feared. The production's catchy enough, but I wish it was in another language so that I couldn't understand the lame lyrics. C+
The Wanted - Gold Forever
They're really building up a strong set of singles. This is the exact direction I was hoping they'd follow -- more electronic, more dramatic and uptempo. It's a promising sign for their second album, whenever they decide to release it. A
Martin Solveig & Dragonette - Hello
If this is what it takes to give Dragonette a world-wide audience, I'm totally okay with it. It's not the band's best track (and yeah, I know it's Solveig's song, but it sounds enough like Dragonette to be classified as such), but even their average material is heads above most everything else. A-
Jessie J - Price Tag
Honestly, isn't the chorus to this exactly the same as Pink's "F**king Perfect" (another song that completely underwhelmed me)? I just don't get the hype over this. It's dull, predictable and forgettable. What am I missing? C+
Black Eyed Peas - Just Can't Get Enough
How can one band be responsible for both some of the worst songs and best songs on the past few years? This isn't close to their low point (that would be previous single, the vomitatious "The Time (Dirty Bit)") but it's no "I Gotta Feeling," either. It's simply alright. B-
Saturday, March 12, 2011
SNL - ZACH GALIFIANAKIS & JESSIE J
Some instant reactions to SNL tonight (from the end to the beginning)...
How to count time: 1:57... 1:58... 1:59... 3:00... 3:01...
SUMUP -
Over already? It was a good show. Overall, better than usual, but no real standout classic. The best sketch was the search for Galifianakis' assistant. The kids were awesome.
Galifianakis was solid with jokes and acting. Just a few minor flubs on lines.
Kristen Wiig, as usual, gets a lot of work and a lot of laughs.
CLOSING GOODBYE -
I want the Mr. T Sketch!
THESE WERE REAL -
The pro & anti Cuomo commercials are both terrible.
TITANIC -
It sunk. Or stunk.
CORN SYRUP -
?
JESSIE J -
She's 2/3 leg?
SPRINT COMMERCIAL -
Was that a parody?
CELEBRITY SCOOP -
ooooooooppps.
Like the sleepy guy on Weekend Update, this is a patented SNL genre: the unfunny sketch that tries to be funny by watching some unfunny clueless character be unfunny.
THE DOG -
Dog porn can be dangerous. But luck will triumph.
WEEKEND UPDATE -
One of the best. Every joke hit the mark. (Not counting sleepy guy.) Hilarious Julie Taymor.
JESSIE J -
Did she just sing a commercial?
DIGITAL SHORT -
Kids were great.
SCARED STRAIGHT -
Scared me. Good one.
CATCH PHRASES -
Not funny... but it might become one of those inexplicable classics.
THE TALK -
O well... don't care... waste of time (See Celebrity Scoop above.)
OPENING MONOLOGUE -
Funny, original, gutsy... but Dukakis? He shuda been Prez. But not 2012... 2016! (Name drop note: Met Dukakis recently. He was really nice, smart, friendly. A great supporter of the arts in Boston!)
OPENING -
Not surprisingly, the jokes about Hollywood celebrities were the ones that worked best. (Comedians around the world thank CS for easy material.)
Note: 2:30 AM does not exist tonight... set clocks ahead!
Tuesday, February 1, 2011
Pop Blitz 2/1/11
Britney Spears - Hold It Against Me
As this single's quick chart ascension proves, it's an instantly catchy dance track. What it doesn't seem to have, though, is a lot of staying power. Right now I'm rating it as "just fine." Certainly not bad, but nothing all that special, either. B
Jessie J - Price Tag
While I can see a glimmer of the "next-big-thing" hype she's getting, neither her last song nor this one has got me all that excited. It's kind of boring, honestly. C+
Chris Brown - Yeah 3X
After everything that happened, I'm honestly surprised that this comeback is happening. Especially with such a derivative, sounds-like-everything-else track. Taio Cruz does this much better, but I do have to admit that the chorus is pretty strong. B-
Pink - F**kin' Perfect
Sorry, Pink. I'm a fan, but this is such a lazy song. Boring melody, sappy sentiment and dull production. I don't see why it's such a huge hit. It's the same problem I've had with a lot of her more recent stuff. She's coasting. There's none of that spark of her first three albums. C
Adele - Rolling In The Deep
Amazing. This is an example of an artist improving on her debut with a single that pushes forward, rather than setting the auto-pilot and reaping the rewards of an already established career. A-
Train - Marry Me
Is there anyone alive that still likes Hey, Soul Sister? It may have been the most overplayed song of all time. Let's HOPE this doesn't follow the same path. This is a neutered band, producing Hallmark card songs at the whim of conservative radio playlisters. Blech. F
Wretch 32 - Tractor
I'm probably not the target audience for this, but as far as UK rap singles go, I find this relatively forgettable. I like the production, but the hook's not strong enough to make much of an impact. C-
As this single's quick chart ascension proves, it's an instantly catchy dance track. What it doesn't seem to have, though, is a lot of staying power. Right now I'm rating it as "just fine." Certainly not bad, but nothing all that special, either. B
Jessie J - Price Tag
While I can see a glimmer of the "next-big-thing" hype she's getting, neither her last song nor this one has got me all that excited. It's kind of boring, honestly. C+
Chris Brown - Yeah 3X
After everything that happened, I'm honestly surprised that this comeback is happening. Especially with such a derivative, sounds-like-everything-else track. Taio Cruz does this much better, but I do have to admit that the chorus is pretty strong. B-
Pink - F**kin' Perfect
Sorry, Pink. I'm a fan, but this is such a lazy song. Boring melody, sappy sentiment and dull production. I don't see why it's such a huge hit. It's the same problem I've had with a lot of her more recent stuff. She's coasting. There's none of that spark of her first three albums. C
Adele - Rolling In The Deep
Amazing. This is an example of an artist improving on her debut with a single that pushes forward, rather than setting the auto-pilot and reaping the rewards of an already established career. A-
Train - Marry Me
Is there anyone alive that still likes Hey, Soul Sister? It may have been the most overplayed song of all time. Let's HOPE this doesn't follow the same path. This is a neutered band, producing Hallmark card songs at the whim of conservative radio playlisters. Blech. F
Wretch 32 - Tractor
I'm probably not the target audience for this, but as far as UK rap singles go, I find this relatively forgettable. I like the production, but the hook's not strong enough to make much of an impact. C-
Wednesday, December 8, 2010
Pop Blitz 12/08/10
Jessie J - Do It Like A Dude
I like this girl because I think she's got charisma. But... I'm not crazy about this song. It grates a little and I just feel like for as much hype as she's getting, she could've come with something more original. B-
The Wanted - Lose My Mind
Their debut album was stronger than it had to be and really quite a good listen, but this song has never screamed "single" to me. It's one of their more skippable tracks, particularly because it sounds way too much like Kings of Leon. As an album track, I love it, but I wish it would've stayed that way. B
Bruno Mars - Grenade
He was smart to release this, one of his album's strongest tracks, as a single. If he continues this quality, he's going to have quite a career. The vocals are amazing. A-
Coldplay - Christmas Lights
If any band were made to write a Christmas song, it would be Coldplay (especially after Clocks). This is somewhat underwhelming, mostly because it really doesn't sound like Christmas at all. That's probably the point, but to me it's a missed opportunity. C+
Sugarland - Stuck Like Glue
I first heard this a couple of months ago and thought: "hey, this country song could totally cross over to pop radio." And it did. It's dangerously catchy. I'm not even sure if I like it, but I can't resist it, which means once it becomes even more ubiquitous I'm sure I'll hate it. For now, it's an A-
Wiz Khalifa - Black And Yellow
I was all prepared to hate this, but the beat's actually really good and the hook's not bad either. I could see this easily pulling 50 Cent In Da Club type success and crossing over. It's not really my thing, but for what it is it's solid. B
Natalia Kills - Mirrors
This reminds me a little of what Lady Gaga sounded like when she first came out. It's great, but the only problem is that we have a Lady Gaga already and it's just a little too similar. Even the vocal delivery is the same. That being said, I'm liking this more each time I hear it. A week ago this would've been a B- at most. Now it's a B+
I like this girl because I think she's got charisma. But... I'm not crazy about this song. It grates a little and I just feel like for as much hype as she's getting, she could've come with something more original. B-
The Wanted - Lose My Mind
Their debut album was stronger than it had to be and really quite a good listen, but this song has never screamed "single" to me. It's one of their more skippable tracks, particularly because it sounds way too much like Kings of Leon. As an album track, I love it, but I wish it would've stayed that way. B
Bruno Mars - Grenade
He was smart to release this, one of his album's strongest tracks, as a single. If he continues this quality, he's going to have quite a career. The vocals are amazing. A-
Coldplay - Christmas Lights
If any band were made to write a Christmas song, it would be Coldplay (especially after Clocks). This is somewhat underwhelming, mostly because it really doesn't sound like Christmas at all. That's probably the point, but to me it's a missed opportunity. C+
Sugarland - Stuck Like Glue
I first heard this a couple of months ago and thought: "hey, this country song could totally cross over to pop radio." And it did. It's dangerously catchy. I'm not even sure if I like it, but I can't resist it, which means once it becomes even more ubiquitous I'm sure I'll hate it. For now, it's an A-
Wiz Khalifa - Black And Yellow
I was all prepared to hate this, but the beat's actually really good and the hook's not bad either. I could see this easily pulling 50 Cent In Da Club type success and crossing over. It's not really my thing, but for what it is it's solid. B
Natalia Kills - Mirrors
This reminds me a little of what Lady Gaga sounded like when she first came out. It's great, but the only problem is that we have a Lady Gaga already and it's just a little too similar. Even the vocal delivery is the same. That being said, I'm liking this more each time I hear it. A week ago this would've been a B- at most. Now it's a B+
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